There are no actresses of character in Hollywood. Yes, the actors of character, who for decades the press has presented as indomitable and temperamental men, of severe ambition, misunderstood geniuses so perfectionists that even their lack of education is justified by the ultimate goal they pursue. The list is long: from legends of the stature of Marlon Brando or Gene Hackman, to more contemporary apprentices like Christian Bale, Jared Leto or Shia LaBeouf, who have repeatedly tormented co-stars, technical team or journalists, only to increase their status as interpretive forces. Before the arrival of Me Too and movements like Time’s Up, Hollywood had another adjective reserved to describe women who dared to vocalize 10% of the demands or protests of their male colleagues: “Difficult.” And with professional consequences – such as the most absolute defenestration – very different from theirs, perhaps because of the historical docility attributed to female stars in the Los Angeles hills. Once the label is awarded, recovering is not easy and the case of Katherine Heigl is the proof of it.
Back in 2005, the role of Dr. Izzie Stevens in the series Grey’s Anatomy catapulted Heigl to international fame, who first stood in front of a camera as a child. The interpreter caught the attention of the industry before any other member of the cast of the hit series, boasting a privileged physique (chosen as the sexiest woman in the world), a remarkable comic strength and an undoubted intuition to interpret the romantic scenes, as demonstrated the broken hearts by his romance in fiction with the patient Danny Duquette (Jeffrey Dean Morgan) and whose tragic outcome gathered more than 22 million viewers in the United States alone.
It didn’t take long for her to be elevated to the category of “America’s next girlfriend,” following in the footsteps of others like Julia Roberts, Meg Ryan, and Jennifer Aniston, and she made the leap to film starring in some of the highest-grossing romantic comedies of the first decade of the decade. century. In addition to earning a Emmy and get two nominations for Golden Globes, the good numbers of Slightly pregnant, 27 dresses O The crude reality made her one of the highest paid women in the mecca of who, enjoying a salary of more than US $ 10 million at age 26. She was also a pioneer when it came to founding her own production company with which to control the development of her projects. But, over the course of a couple of years, her success faded as if it had been the product of a fairy godmother’s spell and the church clock had just struck 12.
With The fireflies dance, his new television project that premiered Netflix, Heigl will try to make up lost ground. This melodrama, based on the homonymous book by Kristin Hannah, narrates the tumultuous friendship between two women (Sarah Chalke, from Scrubs, completes the duo) for three decades and its premiere has had a surprising reception by the critics, which highlights the interpretive talent of its protagonist to deconstruct his -apparently perfect- character.
The performer’s dramatic abilities were never discussed. The apparent reason for his fall from the Hollywood Olympus is based on an undesirable sincerity in the sector and the poor digestion of perhaps too great and too sudden a success. After winning the Emmy, the actress refused to repeat the nomination, considering that her character had not enjoyed the best material that season, thus unleashing the fury of the creator of the series, the almighty Shonda Rhimes, which more than a decade later continues to refuse to allow the one who was the great star of the medical series to put on the doctor’s gown again. When a few years before he dared to publicly denounce his partner Isaiah Washington for having uttered a homophobic insult to the actor TR Knight on the set, the young woman’s honesty was praised in hagiographic reports about her figure.
They also did not like Hollywood her statements about her biggest film success to date Slightly pregnant, which she called “a bit sexist.” “She portrays women as humorless stretched harpies, while men are clumsy, funny and lovable,” she explained, being branded ungrateful and wacky by her peers. He was absolutely right in the world in his explanations, but in the pre-Me Too industry for a woman to report her bad taste in her mouth for having participated in a stereotypical movie was not yet celebrated by the industry stalls as it is today. .
The press, which today drinks the winds for these profiles, which it describes as brave and empowered activists, attacked her without any regard, publishing several confidentials in which anonymous sources recounted her despotic behavior with the technical team in each of her shootings. . While actors involved in cases of alleged abuse or sexual harassment have managed to continue with their careers (Johnny Depp or Casey Affleck, for example), the divism – another macho term in the cinema – of the actress made her deserving of a much greater punishment than his alleged crimes. “Heigl was one of the first victims of a particularly misogynistic current of what we now call the cancellation culture,” says Cole Delbyk in The Huffington Post.
“I could have said a couple of things that weren’t right, but then that turned into ‘she’s ungrateful,’ then ‘it’s difficult’ and then ‘she’s not professional.’ What is your definition of difficult? Someone with an opinion that you don’t like? Now I am 42 years old and that shit makes me very angry “, he confessed Katherine Heigl to The Washington Post the actress who has been dealing with episodes of anxiety and suicidal thoughts for years. “They quickly told me to shut my mouth. But the more I apologized, the more they asked me to do it again. ”