A custom tulle corset dress. This red carpet confection features an old Hollywood-inspired bodice and cascades into a blush ombré colored skirt and train. When Kendall Jenner climbed the stairs of the Metropolitan Museum in New York dressed in a transparent dress that exposed her underwear and was full of bright inlays, no one imagined that what she was actually doing with that look was pay tribute to Audrey Hepburn. “She is the greatest of legends, I have always been obsessed with her. She is perfect,” acknowledges the model in a video recorded for the American edition of Vogue on the occasion of her fourth appearance at the MET gala.
The initial fascination did not let us see it but, after this, we verified that it was indeed the case, and that Kylie Jenner’s sister’s way of paying tribute to the iconic actress was through this design that Matthew Williams, at the head of Givenchy, created exclusively for the occasion and that is the perfect connection between French couture and American cinema.
It was an interpretation of the dress Hepburn wore in one of the scenes from My fair Lady with that flattering neckline and those exquisite cascading sleeves. A piece for which, by the way, they say that more than 30 people were needed to work 2,500 hours in the last three months so that they could have the appearance they were looking for.
Kendall and Audrey’s was not the only cinematic connection on this great night of fashion. There were many others who turned to the seventh art for inspiration, including Emily Blunt.
The actress known for roles like that of A quiet place he noticed himto musical tape Ziegfeld Girl dated 1941 and whose protagonist, Hedy Lamarr, appears wrapped in a white tunic-type dress and a striking tiara full of stars.
On this basis, it was Miu Miu who got down to the hour to successfully achieve an updated version of the wardrobe of that film and what came out was an amazing dress that played with openings, glitter, pearls, chains and even a cape, masterfully. The headdress related to the stars was not lacking.
On the other hand, Sienna Miller did not have to go so far to find the look she wanted to recreate for this edition of the MET gala in which the theme was In America, a lexicon of fashion. She only needed to look back to the 90s to become the Sharon Stone of Casino with her halter neckline and her long hair loaded with volume.
The most curious thing is that that was not even the intention of the British on the red carpet because who had really been inspired was Barbie. Yes, yes, on the doll that the American Ruth Handler created in 1959 that changed the course of toy store history. She told it herself when she arrived with that Gucci garment with floral motifs embroidered with sequins, a crystal harness with a feather coat and metallic leather sandals. Even so, it is inevitable that in our minds we see the character of Ginger.
Finally, another one that found a vein on the big screen was Billie Eilish. The young singer did not resort to a specific movie although she was very clear that she wanted someone to look like and it was one of the superstars of the industry, Marilyn Monroe. It was then that she approached Laura Kim and Fernando García, in front of Oscar de la Renta, in search of a look that drank from these references that had nothing to do with what she usually wears. And they not only understood what I wanted but they knew how to hit the nail on the head.
They created for the artist a tulle dress with a bodice and waterfalls in a pink skirt and train that the ill-fated actress could well have worn in her time and with which Billie Eilish made her debut at the MET be exactly as she wanted , emulating in a big way one of the great divas of old Hollywood.
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Kendall Jenner’s dress is an ode to old Hollywood