the adaptation that Frank Herbert’s novel deserved

The confidence that viewers place in a film director’s new professional adventure, with greater sympathy if one works on its analysis, depends on what he has shown in his previous projects. If what he has had is good manners, we are interested in what he offers us in the future; even if he has screwed up but honestly: we give him another chance to lend him our scarce time; always thanking you for your dedication anyway. Talking about Denis Villeneuve and his long-awaited adaptation of Dune, the famous novel by Frank Herbert that appeared in 1965, deserved our hope that he would come out of the trance with flying colors.

Not just because has punctured only once among the ten feature films that he has wanted to deal with since August 32 on Earth (1998); and it has not been in this or in Maelstrom (2000), Polytechnique (2009), Fires (2010), Hitman (2015) ni, oh, yeah!, Dune (2021), but in Enemy (2013), implausible beyond fantasy.

Also because Prisoners (2013), The arrival (2016) and Blade Runner 2049 (2017) stick out in their compositional meticulousness, the dramatic intensity they build and the fascination they provoke by their sheer magnetism.

The conscientious talent of Denis Villeneuve

Warner Bros.

Not a little of the virtues that are in the best of Denis Villeneuve’s filmography is also in the first part of Dunefavored thanks to the Canadian’s love for Frank Herbert’s work, but not as intensified as in his three most interesting films. The sober solemnity what characterizes you brings a very solid dignity that it is light years from the ridiculous freak that the American David Lynch perpetrated in 1984; after moviegoers breathed a sigh of relief when Chilean Alejandro Jodorowsky’s attempt in 1975 collapsed.

Is too much visible the pampering you have spent Denis Villeneuve when presenting his indications to the interpreters, a real luxury all of them for which they will not have needed too many; and when elaborating each staging, each frame, each unusual image, each cut in the final montage with certain sharp parallels and a rapturous dreamlike confusion. Thus, the new Dune It beats us because of the conscientious talent of its demanding director; and by the suggestive, motley and constant mix of science fiction and mysticism emphatically he has achieved; without squeaking anything, since it could have become indigestible very easily.

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the adaptation that Frank Herbert’s novel deserved