The VFX & Post Talent Agency Expands its VFX Roster

Coinciding with the company’s 1st anniversary, The VFX & Post Talent Agency has added six new VFX professionals to their talent roster: associate VFX producer Alex Belgeonne (No Time to Die, MGM); VFX supervisor and artist Jorge Cañada Escorihuela (The OA, In-house at One of Us, Netflix); VFX editor Anna Fuller Clarke (The Last Bus, Netflix); VFX supervisor Oliver Cubbage (The Witcher Seasons 1&2, In-house at One of Us, Netflix); VFX producer Jan Guilfoyle (Wheel of Time, In-house at Union, Amazon); and VFX producer Sarah Tulloch (Cruella, Disney).

Sarah Tulloch: Starting her career as a VFX production assistant on the Harry Potter franchise, Tulloch has risen through the ranks to become VFX producer with credits including the HETV series DEVS (DNA Films), Philip K Dick’s Electric Dreams (Amazon), Man from UNCLE (Warner Bros), Assassins Creed (New Regency), and most recently Cruella (Disney).

Jorge Cañada Escorihuela: A talented creative and technical VFX Supervisor, Escorihuela has worked both in-house and production-side. Having has worked with top directors his credits include Cloud Atlas (Warner Bros), Under the Skin (Film4) and The Crown (Netflix). Escorihuela has also produced and directed several short films and worked on several art installations.

Jan Guilfoyle:  Guilfoyle’s first job was with Bluebolt as a VFX PA on Season 1 of Game of Thrones. There, he climbed the ranks to become the VFX producer on the award-winning War & Peace (BBC) and Peaky Blinders (Carnival). After a stint at Union VFX, he has transitioned to production side and is working on Season 2 of Avenue 5 (HBO).

Alex Belgeonne: Stepping up to an associate VFX producer role, Belgeonne has worked production-side throughout her career and is reported to be a master at running shoots and all aspects of VFX production. Working across film and HETV her credits include Aladdin (Disney), MI: Fallout (Paramount) and Maleficent: Mistress of Evil (Disney).

Oliver Cubbage: Stemming from a concept artist and 3D background the VFX supervisor has built a reputation for his creative flare and technical ability. His recent credits include multi-award winning The Midnight Sky (Netflix), Jurassic World: Fallen Kingdom (Universal) and The Crown (Netflix).

Anna Fuller Clarke: Beginning her career at John Downer Productions as an assistant editor, Clarke has taken on multiple roles on an array of award-winning natural history films, IMAX, and TV series. She has a reputation as a VFX editor with a good eye and extensive knowledge of editing, post-vis, VFX composition, 3D stereo and color. Moving away from natural history she is currently working on sci-fi series The Last Bus for Netflix.

“I am so proud and grateful for the opportunity to guide, nurture and mentor established talent and rising stars,” commented managing director Harriet Donington. “Our search for emerging talent continues daily and we have big plans to develop and expand the ‘Futures Scheme,’ an initiative to help emerging VFX and post stars get onto the next rung of the career ladder.”

Donington plans to launch a VFX and post consultancy service next year.

Source: The VFX & Post Talent Agency

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The VFX & Post Talent Agency Expands its VFX Roster